(Source: thekittencovers)
(Source: callapalooza)
yerawizardharry | lisztomania | weareallstarstuff:
On December 21, 2012, our entire solar system will align, because it’s Frank Zappa’s birthday and he knew this would happen all along.
Oh. Fuck.
“Sociedade da Grã-Ordem Kavernista Apresenta Sessão das 10 foi um álbum do cantor e compositor brasileiro Raul Seixas. Foi gravado em 1971 nos estúdios da CBS (…).
A ideia inicial foi de Raul Seixas, inspirado pelos recém lançados discos Freak Out (1966), de Frank Zappa, e Sgt. Pepper’s Lonely Hearts Club Band (1967), dos Beatles, além da brasileira Tropicália (…)”
Via @VelhoResmungao
I’ll be there!
make-art-notwar:agree2disagree:neightkelly:still-searching:standtallandgrow
:graciesbusiness:fuckyeahrocknroll:loveeverythingmusic:skyehorror:dellbby:
I need a fucking time machine.
Zappa! Velvet!
I am gross and perverted
Im obsessed n deranged
I have existed for years
But very little had changed
I am the tool of the government
And industry too
For I am destined to rule
And regulate you
I may be vile and pernicious
But you can’t look away
I make you think Im delicious
With the stuff that I say
I am the best you can get
Have you guessed me yet?
I am the slime oozin out
From your tv set
You will obey me while I lead you
And eat the garbage that I feed you
Until the day that we don’t need you
Don’t got for help…no one will heed you
Your mind is totally controlled
It has been stuffed into my mold
And you will do as you are told
Until the rights to you are sold
That’s right, folks, don’t touch that dial!
Well, I am the slime from your video
Oozin along on your livinroom floor
I am the slime from your video
Cant stop the slime, people, lookit me go
Frank Zappa - City Of Tiny Lites clay animation (via DailyMotion)
Terry Bozzio revisits The Black Page Drum Solo at a drum clinic in 2002.
Terry Bozzio (interviewed by Andrew Greenaway, September 17, 1992):
He wrote it because we had done this 40-piece orchestra gig together [The Abnuceals Orchestra] and he was always hearing the studio musicians in LA that he was using on that talking about the fear of going into sessions some morning and being faced with ‘the black page’. So he decided to write his ‘Black Page’. Then he gave it to me, and I could play parts of it right away. But it wasn’t a pressure thing, it just sat on my music stand and for about 15 minutes every day for 2 weeks before we would rehearse I would work on it. And after 2 weeks I had it together and I played it for him. And he said, “Great!” took it home, wrote the melody and the chord changes, brought it back in. And we all started playing it.
